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A paragraph typically consists of a unifying main point, thought, or idea accompanied by supporting details. The non-fiction paragraph usually begins with the general and moves towards the more specific so as to advance an argument or point of view. Each paragraph builds on what came before and lays the ground for what comes next. Paragraphs generally range three to seven sentences all combined in a single paragraphed statement. In prose fiction and literary writing paragraph structure is more abstract, depending on the writer's technique and the action of the narrative. Facts and parts of the narrative are ordered to achieve poignancy and support rhetorical devices. A paragraph in prose fiction can start with a single detail and enlarge the picture with successive details, for example; but it is just as common for the point of a prose paragraph to occur in the middle or the end. A paragraph can be as short as one word or run the length of multiple pages, and may consist of one or many sentences. When dialogue is being quoted in fiction, a new paragraph is used each time the person being quoted changes.

In literature, a detail is a small piece of information within a paragraph. A detail usually exists to support or explain a main idea. In the following excerpt from Dr. Samuel Johnson's Lives of the English Poets, the first sentence is the main idea, that Joseph Addison is a skilled "describer of life and manners". The succeeding sentences are details that support and explain the main idea in a specific way. :As a describer of life and manners, he must be allowed to stand perhaps the first of the first rank. His humour, which, as Steele observes, is peculiar to himself, is so happily diffused as to give the grace of novelty to domestic scenes and daily occurrences. He never "o'ersteps the modesty of nature," nor raises merriment or wonder by the violation of truth. His figures neither divert by distortion nor amaze by aggravation. He copies life with so much fidelity that he can be hardly said to invent; yet his exhibitions have an air so much original, that it is difficult to suppose them not merely the product of imagination